The Press

In 1929, George Macy founded the Limited Editions Club with a singular ambition: to produce the world's great literature in editions worthy of the texts themselves — beautifully illustrated, impeccably typeset, and bound in materials chosen to last. Over the next four decades, the Club published more than five hundred titles, commissioning original artwork from Picasso, Matisse, Henri Cartier-Bresson, and Rockwell Kent, and working with the finest printers in America and Europe.

The Club was never a mass enterprise. Each edition was limited to fifteen hundred copies, signed by the contributing artist, and offered exclusively to subscribers. It was, in the words of Macy himself, "the greatest experiment in democratic luxury that the publishing world had ever known."

After decades of dormancy, the Limited Editions Club has been revived — not as a facsimile of the past, but as a continuation of the tradition that George and Helen Macy established. We are commissioning a new series of collector-grade limited editions with the same devotion to illustration, typography, and binding that defined the original enterprise.

The Publisher

Diego Avendaño-Morineau is the founder and publisher of the revived Limited Editions Club. A historian by training, he holds a Master of Arts in History from SUNY Empire State College, where his research centered on the history of fine press publishing and the material culture of the book.

His forthcoming study, The Fine Book: An Exploration of the Limited Editions Club and Contemporary Private Presses, examines the Club's legacy across two generations of leadership and traces its influence on the collector-grade publishers working today. An exhibition drawn from this research is currently in development.

The revival of the Limited Editions Club is rooted in a conviction that the fine book — as an object of art, craft, and intellectual purpose — remains vital, and that a community of readers and collectors exists to sustain it.

Est. 1929 · Revived 2026